  
          
         
       
      
        
           May 2001  
            From left to Right: 
             
            Joseph Macerollo - accordion 
            Cynthia Steljes - oboe, English horn 
            George Meanwell - cello, guitar, mandolin 
            and below: 
            Peter De Sotto - tenor, violin, mandolin  | 
         
       
      During the end of May 2001, in the midst of a busy international spring-summer 
        tour, two members of Quartetto Gelato, Peter De Sotto and George Meanwell 
        took a break to talk to Maireid Sullivan about their music, sharing insights 
        on the life of this brilliant quartet. With their breathtaking virtuosity, 
        irrepressible energy and charming wit, Quartetto Gelato has won the hearts 
        of audiences around the world, across their native Canada and the U.S. 
        since their remarkable 1994 debut season. 
         
        Their 2000-2001 season includes recitals and workshops throughout the US 
        and Canada, as well as in Korea, Hong Kong, Kuala Lumpur, Taiwan, China 
        and Macao. The following interviews took place while the group was touring 
        upstate New York, just before leaving for Juneau, Alaska. 
       AMP's exclusive interviews with the group's prima bello, Peter 
        De Sotto, who also plays mandolin and violin in 
        the quartet, and with composer George Meanwell, 
        who plays cello, guitar and mandolin, give us a rare insight into the 
        inner workings of this spectacular ensemble.  
         
        Peter De Sotto interview 
         
        George Meanwell interview 
         
        Official Biography 
         
         With 
        their breathtaking virtuosity, irrepressible energy and charming wit, 
        Quartetto Gelato has won the hearts of audiences across their native Canada 
        and the U.S. since their remarkable 1994 debut season. Their West Coast 
        debut at the Oregon Bach Festival in June 1995 elicited a rave typical 
        of virtually every Quartetto Gelato performance to date: "Part Peter 
        Schickele, part Mozart in Brazil...but all musician.... They play together 
        without scores, and with the conversational ease of old friends. Very 
        funny old friends.... There's a reason we call this 'playing' a concert, 
        and that sense of play was never clearer than in Beall Hall on Monday 
        night." Since then Quartetto Gelato has played to sold-out halls 
        from coast to coast, including Austin, Dallas, Houston, Los Angeles, Nashville, 
        New York, Palm Springs, Santa Fe, and San Francisco, where they were immediately 
        re-engaged for the following two seasons. 
         
        In programs featuring an exciting mix of classical favourites, operatic 
        arias, traditional melodies, tangos and gypsy fiddling, Quartetto Gelato's 
        members perform on multiple instruments, including oboe, English horn, 
        violin, cello, accordion, guitar, mandolin and a show-stopping tenor voice, 
        which are featured in various combinations. In the quartet's own words, "Eclecticism is an inescapable part of Quartetto Gelato's approach. 
        In this we do not pretend something new, but rather a renewal of a European 
        tradition of bringing together the best of many idioms in a concert experience. 
        Our repertoire might be described as a collection of music that, while 
        travelling to different destinations, finds itself staying overnight in 
        the same hotel."  
         
        In recent seasons, Quartetto Gelato has performed in recital around the 
        world, quickly becoming a favourite of presenters in North America, Europe 
        and Asia. The ensemble has enjoyed return engagements on such prestigious 
        concert series as New York's Metropolitan Museum Concerts & Lectures, 
        Washington (DC) Performing Arts Society, San Francisco Performances, UCLA 
        Performing Arts Series and the Houston Society for the Performing Arts, 
        as well as at Kioi and Oji Halls in Tokyo. Their 2000-2001 season include 
        recitals and workshops throughout the US and Canada, as well as in Korea, 
        Hong Kong, Kuala Lumpur, Taiwan, China and Macao.  
         
        Quartetto Gelato also performs regularly with symphony orchestras, and 
        the quartet recently made their debut with the Cincinnati Pops at Riverbend, 
        in a special program featuring the music of the Italian Cinema. They have 
        also appeared with such major symphony orchestras as the Toronto Symphony, 
        Vancouver Symphony and the National Arts Centre Orchestra, and in 2000-2001 
        they will collaborate with the Calgary Philharmonic, among others.  
         
        Active in the recording studio, Quartetto Gelato has just released Neapolitan 
        Café (April, 2001), which is their first CD with their newest member 
        Joseph Macerollo on accordion. This disc features a range of joyous and 
        introspective pieces that transport the listener through a Mediterranean 
        afternoon of Italian and English song, rustic instrumentals, virtuosic 
        showpieces and original compositions. Their previous recordings, which 
        have played a significant role in the group's increasing popularity, are 
        Aria Fresca; Rustic Chivalry; and their debut recording, simply entitled 
        Quartetto Gelato. The latter two CD's have literally been heard around 
        the world, since they accompanied Canadian astronaut, Dr. Robert Thirsk, 
        during his NASA flight on board the space shuttle Columbia in 1997. 
         
        Quartetto Gelato can also be heard on the soundtrack recording of the 
        major motion picture Only You, starring Marisa Tomei and Robert Downey 
        Jr., on the Sony label. Additionally they have appeared on the hit CD 
        recording of Ashley MacIsaac Hi, How are You? on the A & M record 
        label. 
         
        In March 1996, Quartetto Gelato's growing U.S. presence was recognized 
        by an award from National Public Radio as Performance Today's "Debut 
        Artist of the Year." The panel of music critics who made the selection 
        characterized the quartet as "an amazing ensemble that achieves the 
        nearly impossible: they play salon music with real style and classical 
        music with real precision; Great chops and a commitment in all that they 
        play." 
         
        CYNTHIA STELJES (oboe, English horn) was born into a family of 
        scientists in the small town of Deep River, Ontario. Overcoming a local 
        reputation as the product of genetic experimentation, Cynthia turned her 
        back on science and became an oboist. Her main teachers have included 
        Rowland Floyd at the University of Ottawa, Harry Sargous at the University 
        of Michigan and Leslie Huggett. She has performed in concert and on radio 
        throughout North America, Eastern and Western Europe and the Middle East 
        as both soloist and chamber musician. She was the oboist with the York 
        Winds woodwind quintet for five years and a member of the Toronto Chamber 
        Winds. Cynthia is often asked to give master-classes to young oboists 
        while touring with Quartetto Gelato and as well her playing may be heard 
        on popular TV and movie soundtracks, only during sad scenes, of course! 
         
        Toronto-born PETER DE SOTTO (violin, voice, mandolin) learned to 
        play the violin by ear. His early musical experiences included jazz, rock 
        and roll and gypsy music. At the age of twenty, Peter adopted a classical 
        approach to the violin while studying with Steven Staryk. He later attended 
        The University of Wisconsin, Milwaukee where he studied with the Fine 
        Arts String Quartet. Peter was a member of the Toronto Symphony for ten 
        years, and he has appeared as both vocal soloist and violinist with numerous 
        orchestras. Peter's voice teachers have included Gary Relyea, Mark Dubois, 
        Louis Quilico and Angela Hawaleshka. In 1997 he founded Canada's "Camp 
        Rock", an innovative music camp for aspiring rock musicians. In 1998, 
        the Toronto Musicians' Association voted Peter De Sotto "Musician 
        of the Year." 
         
        JOSEPH MACEROLLO (accordions) is a graduate of the University of 
        Toronto where he now teaches. He has appeared as soloist with Nexus Percussion 
        Ensemble, the Orford String Quartet, the Purcell String Quartet, and such 
        orchestras as the Toronto Symphony, the National Arts Centre Orchestra 
        and the Winnipeg Symphony Orchestra. He is a leading exponent of new music 
        performance and has had over 200 works by Canadian composers written for 
        him. Joseph has accompanied Luciano Pavarotti and Teresa Stratas and collaborated 
        extensively with Henry Mancini. When not performing with Quartetto Gelato, 
        he continues his career as a leading pioneer of the accordion. Solo engagements 
        last year took him to Italy and Germany. 
         
        Before moving to Toronto in 1988, GEORGE MEANWELL (cello, guitar, 
        mandolin) was an active chamber musician in Winnipeg, as a member of the 
        trio Music Plus and founding member of Thira, a twentieth-century performance 
        ensemble. In 1988 he toured Portugal with The Manitoba Trio and was recorded 
        by Portuguese National Radio. He toured North America for three years 
        with the Royal Winnipeg Ballet orchestra as principal cellist, in which 
        capacity he has also appeared with the National Ballet of Canada and Les 
        Grands Ballets Canadiens. In a previous existence, he was guitarist and 
        vocalist with the pop trio Short Turn, releasing two albums and appearing 
        on live national radio and television broadcasts. 
         
        Selected Reviews: 
         
"If there were ever a group of musicians that could make anyone feel 
        at home with classical music, Quartetto Gelato is it." Newsday (NY) 
"Quartetto Gelato's performances have a warm, endearing vitality..." The New York Times 
"It's hard not to like Quartetto Gelato, the Toronto-based pop ensemble 
        whose debut album is crammed with deft arrangements and virtuoso performances." The Globe and Mail 
"Their versatility would put a chameleon to shame... the performances 
        are that good." The Toronto Star 
"Breathtaking virtuosity..." Chicago Tribune 
"Light programming, like comedy, is a serious business. Quartetto 
        Gelato has the stuff. Dry humor and occasional clowning are part of the 
        quartet's arsenal, yet first it meets the requisite virtues of skilled 
        music-making. Its pleasure-giving is consistent." Los Angeles Times 
"Charm, musical beauty, subtlety, wit, and sophistication combine 
        to make this classical cabaret CD by a Canadian quartet a winner." Stereo Review 
"Quartetto Gelato plays with both the precision expected of a string 
        quartet in Beethoven and the abandonment of gypsies improvising around 
        a campfire." The Tennessean, Nashville 
"Flawless musicianship... This group makes music together as easily 
        as breathing." The Register-Guard, Eugene, Oregon 
"The hottest classical band in Canada right now... De Sotto sings 
        in that soaring Italian tenor tradition that turned Pavarotti into a superstar. 
        " Halifax Mail-Star  
         
        information: 
        website: http://www.quartettogelato.com 
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